I don’t cover the Oscars
like I used to. My coverage for the 81st Academy Awards was the best
stuff this blog ever did. I still can’t
help, but get excited over this time of year.
The Oscars are just something I will always enjoy. Part of the reason is that it celebrates
movies (some years better than others).
Another part is trying to figure out what is going to win. Picking the Oscars is right next to trying to
fill out a March Madness bracket.
There’s some easy picks, some tossups, and of course a few upsets that
came out of nowhere. All bets are off on
Oscar night.
I didn’t see as many
movies as I wanted to this year, but I’ve been doing enough reading to finalize
my picks. I wish I had more time, but
the Oscars are tomorrow. So without
further ado, here are my preliminary picks for the 85th Academy Awards.
Best Picture: Argo
I can’t see this film
losing at this point. What is going to
beat it? Lincoln? Silver Linings Playbook? Those are the two options that make
sense. I don’t think either one has the
support to do it. You never know when it
comes to the Oscars. The Academy always
has a few tricks up its sleeve. The
thing about Argo is that it’s about Hollywood.
The Academy likes to pat themselves on the bat. It’s a feel good story about a horrible time
in American history. Hollywood plays a
big part in the success of mission. It’s
about the creation of a fake movie and making the hostages fake film crew. Plus, it’s a great film. I don’t think it’s a masterpiece, but I
enjoyed it. I don’t have a problem with
it joining the fraternity of Best Picture winners. Let me put it this way, there’s a lot worse
films that have won the top prize.
Lastly, George Clooney and Ben Affleck (and Grant Heslov) will accept
the Oscar. That has ratings written all
over it.
Best Director: Ang Lee,
Life of Pi
Not nominating Ben Affleck
makes the Academy look really dumb. I’ve
been saying that for a while as Argo has dominated the award circuit. It’s not the first time the Academy has made
a dumb mistake, but it’s most recent one shouldn’t get a pass. Unfortunately, there’s nothing that can be
done, so this category is a bit difficult to figure out with the deserving winner. Everyone just thinks Spielberg is going to
win by default. Speaking of dumb, that’s
really dumb. He may win, but I don’t
think this is a given by any means. I
could easily see David O. Russell win.
I’m going with Ang Lee because this category looks like a trap to me. I haven’t seen Life of Pi, but it’s the trailer/promos are visually
stunning, Lee is well respected by the Academy, and he had a challenge of
adapting this book into a film. My
understanding is that adapting this book was no easy task and one most filmmakers would fail if
they attempted. Ang Lee has made some
bad films, but he’s also made some incredible ones. I’ll just say Brokeback Mountain is one of
the most important and best films of the last 20 years. Like I said, Spielberg could win this. Maybe, it’s his time to win his 3rd
Best Director Oscar. Instead, it’s time
for Lee to win his 2nd Best Director Oscar.
Best Actor: Daniel
Day-Lewis, Lincoln
I love Daniel
Day-Lewis. He’s one of the greatest
actors of not only his generation, but of all time. I truly believe that. He’s going to win his 3rd
Oscar. This is a lock. I don’t think he’s lost one award this season. It’s very similar to his steamroll in 07/08
for There Will Be Blood. The most
incredible part is that he has dominated award seasons by playing such diverse
categories. Five years ago, he played a
horrible and hateful man in Daniel Plainview.
This year, he plays one of the most beloved Americans in history and one
of the greatest Presidents in Abraham Lincoln.
With all that said, I would have not voted for him this year. A lot of people are going to disagree, but I
thought Joaquin Phoenix’s performance in The Master was better. I realize that I sound like P.T. Anderson
homer, but I haven’t seen another performance like Phoenix’s Freddie Quell this
year. I have problems with The Master
and I don’t think it’s one of Anderson’s best films. I do think the acting is very good (only 3
nominations this year and all for acting).
I think we may look back in five years and appreciate Phoenix’s
performance a lot more than we do today.
I could be wrong, but I wanted to put that on the record.
Best Actress: Jennifer
Lawrence, Silver Linings Playbook
I believe Jennifer
Lawrence is going to hold off Emannuelle Riva.
I don’t deny that she has probably gained ground. Sometimes, these stories about actors or
actresses gaining steam and pulling the upset come true. Other times, it’s a false alarm. Some people are mentioning Marion Cotillard a
few years back. I don’t think that’s a
good comparison at all. I’m going to be
shocked if this upset happens.
Best Supporting Actor: Robert
De Niro, Silver Linings Playbook
Nominee Alan Arkin’s
character says, “Argo fuck yourself.” I
say, “Argo fuck this category.” This is
maybe the toughest of the night. At least
it’s the toughest of the major categories.
There are three guys that could win.
I’m going to start by writing that I don’t want Waltz to win. I’m not the first person to say this, but his
performance reminded me too much of his character in Inglorious Basterds (he
won the Oscar for that role). I think
he’s a talented actor, but it’s also too soon from his last win. I would have preferred Leo or even Samuel L.
Jackson getting the nod over him. If you
can’t tell, I’m going to be mad if he wins.
Tommy Lee Jones seems to be the safest pick of the bunch. I didn’t like him that much in Lincoln. Maybe it was because he was sharing the
screen with Daniel Day-Lewis, but he didn’t jump out at me and make me say,
“Wow.” Plus, his grumpy face at the
Globes is probably not going to help him.
He strikes me as an angry old man.
Then, I look to Robert De Niro.
This reminds me a lot of Meryl Streep last year. He hasn’t won an Oscar since his role in
Raging Bull. It’s a longer drought than
Streep. Plus, the guy has been
campaigning this season and I think it’s going to pay off. He also has the Weinsteins. Yes, he hasn’t won anything this season, but
Alan Arkin didn’t win anything before his Little Miss Sunshine win. I don’t think it’s an incredible role, but
it’s good enough to pull off the win.
Best Supporting Actress: Anne
Hathaway, Les Misérables
She’s won everything like
Day-Lewis. If Hathaway loses I would be
shocked. In somewhat related news, it’s
a nice comeback story for a woman that co-hosted the Oscars a few years back
and bombed with James Franco. This is
just further proof that they are both talented (I’m still a big Franco
fan). I think it’s going to be a nice
moment for her.
Best Original Screenplay: Django
Unchained
I’m really torn on this
category. It’s one of the hardest to
predict. Zero Dark Thirty won the WGA,
but both Amour and Django were ineligible.
My issue with Amour is that it’s a foreign film and is the Academy going
to vote for that. My issue with Django
is that will the Academy embrace a script that uses the N-word over 100
times. This is an old voting body and I
don’t know if they are going to like that a lot. I could be wrong, but it’s a tad
excessive. Oddly enough, Taratino did
lose to Boal in 2009 when Hurt Locker beat Inglorious Basterds. This could be revenge. For that reason, I’m going with him.
Best Adapted Screenplay: Argo
Like the Best Picture
race, the biggest threats to Argo seem to be Lincoln or Silver Linings
Playbook. This could be a good indicator
for later in the evening. If Lincoln or
Silver Linings win, then maybe it will be closer than thought in the Best
Picture race.
Best Animated Feature: Wreck-It
Ralph
It’s either going to be
this or Brave. I saw Wreck-It Ralph and
I enjoyed it. I also didn’t hear/read
amazing things about Pixar’s latest film, Brave. The problem is that Pixar has done very well
here. Is it really going to be two years
in a row with a non-Pixar film winning?
I think so.
Best Cinematography: Life
of Pi
Poor Roger Deakins is
probably going to lose again. Him and
Emmanuel Lubezki somehow don’t have Oscars.
It’s a huge gaffe in my opinion.
Shows you how much they know about cinematography. Life of Pi seems like it’s going to take the
Oscar win. This reminds me a lot of
Hugo’s win last year.
Best Costume Design: Anna
Karenina
A lot of mediocre films
have won this in the past. It usually
goes to the period pieces with the flashiest costumes. Anna Karenina falls into that description,
but Les Mis could steal it. I just don’t
want to start handing Les Mis too many Oscars because I don’t think the Academy
likes it that much.
Best Documentary -
Feature: Searching for Sugar Man
I don’t know very much
about this film, but everyone is picking it.
I know it’s about Rodriguez, but that’s about it. I’m just following the crowd. It seems to be the overwhelming favorite.
Best Documentary - Short
Subject: Open Heart
Whatever I pick will
probably be wrong. I hate this category
more than any other. It’s just tough to
predict and I always get it wrong. This
is another category where I’m following the popular choice.
Best Film Editing: Argo
Best Picture and Best Film
Editing like to go together. The editing
in this film is also really well done.
How can you not love editing at the end of the film? The pacing is perfect and it’s intense even
though you know they are going to make it out alive. It’s really well done.
Best Foreign Language
Film: Amour
Amour is getting a lot of
love from the Academy. Everyone says
this is a lock. I just can’t help, but
remember Pan’s Labyrinth in 2006. Received
multiple nominations and lost this category to Lives of Others. I read Kon-Tiki has screened well to members
(remember members must go to special screenings for this category) and it could
upset. I just don’t feel like it’s a
smart choice to get too crazy and pick it.
Best Makeup and
Hairstyling: Les Misérables
Oscar voters love when the
makeup and hairstyling makes actors look old or ugly. Look no further than Les Mis. I also feel like there’s no love for The
Hobbit or Hitchcock. I actually forgot both
those films even came out last year and I find it hard to believe it could win
this.
Best Original Score: Life
of Pi
I’m not that familiar with
this score as I’ve yet to see this film.
Why am I picking it? Everyone
else is and it seems like the smart choice.
The other alternatives seem to be Lincoln (John Williams) or Skyfall
(won the BAFTA).
Best Original Song: "Skyfall"
from Skyfall
This is one of the safest
categories of the night. Everyone loves
Adele. A Bond theme has actually never
won an Oscar somehow (Live and Let Die was screwed). This has to be the year. I would be shocked if it lost.
Best Production Design: Life
of Pi
This category is
tough. The Academy has really been
favoring production design that is more CGI orientated. That heavily favors Life of Pi. Les Mis and Anna Karenina make strong
cases. Actually, I was going with Les
Mis, but decided to change it. I think
Anna Karenina is out because there’s no way that film is winning two
Oscars. I find that hard to
believe. I may regret changing from Les
Mis, but look at the last three winners in this category (Hugo, Alice in
Wonderland, and Avatar). Just seems like
Life of Pi is the right choice.
Best Short - Animated: Paperman
This was shown before
Wreck-It Ralph. It could be a Dreamworks
sweep. This probably has a better shot
at winning than Ralph as everyone seems to think this is the film to beat. I haven’t seen it, but the black and white
and blend of traditional/computer animation makes it sound very appealing.
Best Short - Live Action: Curfew
I don’t even like to
comment on these short categories. It’s
not that I don’t care about them. I’m
sure they are great and the Academy has done a better job at making them accessible
even to members who aren’t in the Academy.
Still, I haven’t seen any of them, so really have nothing to add. This is another follow the leader type of
pick. I will say this that for the
Oscars that is not a bad strategy to have.
I think it’s important to take a couple gambles where you see fit, but
playing it safe will make your night better.
It has won me a number of Oscar contests through the years.
Best Sound Editing: Skyfall
I very well could be wrong
with this pick. This is one of my risky
picks of the year. Skyfall has
nominations, so it’s not disliked by the Academy. Plus, it follows in the mold of previous
winners like Bourne, Dark Knight, and Inception. The alternative could be either Zero Dark
Thirty or Life of Pi. The Hurt Locker
won this a few years back, but the difference was that it also won Best Picture. Life of Pi could be Bond’s strongest
competition. Both Skyfall and Pi won the
sound editor guild awards. I just have a
hunch that Skyfall is going to win.
Best Sound Mixing: Les
Misérables
Musicals or movies with a
lot of singing do really well in this category.
Chicago, Ray, and Dreamgirls have won here recently and are in a similar
mold to Les Mis. Considering the singing
was done live makes it even more impressive.
If the Academy goes crazy for Argo like it did for Slumdog Millionaire a
few years back, then maybe it could win here.
That’s doubtful.
Best Visual Effects: Life
of Pi
The film is beautiful and
everyone is raving about the visual effects.
Seems like a safe choice and is probably one of the easiest picks of the
night.
There you have it, my final predictions for the 85th Academy Awards.
I'll try to post some reaction to the results and thoughts on the show a week
after the Oscars. I’m probably going to
have to re-watch the show as I'm having my annual Oscar party. It’s the fourth year in a row I’ve done it
and I don’t really get to enjoy the show very much.
I hope it’s a good show. Seth
McFarlene is an interesting choice for host, so I’m curious to see how that
will pan out. For his sake, I hope he
does well. No one wants to bomb as Oscar
host.
Lastly, make sure you enter my 6th Annual Oscar Contest. The links are all over this blog, but you can
also just click HERE.



